I heard the drums

B Allen Sapp

111 pages, Stoddart

#39.95 (hc.)

Cree artist Allen Sapp showcases 75 of his most stunning paintings in I heard the drums, a wonderful collection published by Stoddart.

The man from the Red Pheasant Reserve in Saskatchewan describes how his Native heritage has influenced his work in a 24-page segment of the book.

"I was lucky: I was born into a loving family, whose roots gave me a strong sense of identity," he writes.

I heard the drums

B Allen Sapp

111 pages, Stoddart

#39.95 (hc.)

Cree artist Allen Sapp showcases 75 of his most stunning paintings in I heard the drums, a wonderful collection published by Stoddart.

The man from the Red Pheasant Reserve in Saskatchewan describes how his Native heritage has influenced his work in a 24-page segment of the book.

"I was lucky: I was born into a loving family, whose roots gave me a strong sense of identity," he writes.

I heard the drums

B Allen Sapp

111 pages, Stoddart

#39.95 (hc.)

Cree artist Allen Sapp showcases 75 of his most stunning paintings in I heard the drums, a wonderful collection published by Stoddart.

The man from the Red Pheasant Reserve in Saskatchewan describes how his Native heritage has influenced his work in a 24-page segment of the book.

"I was lucky: I was born into a loving family, whose roots gave me a strong sense of identity," he writes.

I heard the drums

B Allen Sapp

111 pages, Stoddart

#39.95 (hc.)

Cree artist Allen Sapp showcases 75 of his most stunning paintings in I heard the drums, a wonderful collection published by Stoddart.

The man from the Red Pheasant Reserve in Saskatchewan describes how his Native heritage has influenced his work in a 24-page segment of the book.

"I was lucky: I was born into a loving family, whose roots gave me a strong sense of identity," he writes.

I heard the drums

B Allen Sapp

111 pages, Stoddart

#39.95 (hc.)

Cree artist Allen Sapp showcases 75 of his most stunning paintings in I heard the drums, a wonderful collection published by Stoddart.

The man from the Red Pheasant Reserve in Saskatchewan describes how his Native heritage has influenced his work in a 24-page segment of the book.

"I was lucky: I was born into a loving family, whose roots gave me a strong sense of identity," he writes.

The Boreal Forest Institute of Indigenous Arts uses a model of instruction known as the master-apprentice approach. This is a form of instruction hat matches students with master artists. Master artists lead each course, which entails an extensive two weeks of instruction in just that artist's medium. For the past two weeks, Dempsey Bob a mask carver from B.C.'s coast has been instructing the students at the institute.

The Boreal Forest Institute of Indigenous Arts uses a model of instruction known as the master-apprentice approach. This is a form of instruction hat matches students with master artists. Master artists lead each course, which entails an extensive two weeks of instruction in just that artist's medium. For the past two weeks, Dempsey Bob a mask carver from B.C.'s coast has been instructing the students at the institute.

The Boreal Forest Institute of Indigenous Arts uses a model of instruction known as the master-apprentice approach. This is a form of instruction hat matches students with master artists. Master artists lead each course, which entails an extensive two weeks of instruction in just that artist's medium. For the past two weeks, Dempsey Bob a mask carver from B.C.'s coast has been instructing the students at the institute.

The Boreal Forest Institute of Indigenous Arts uses a model of instruction known as the master-apprentice approach. This is a form of instruction hat matches students with master artists. Master artists lead each course, which entails an extensive two weeks of instruction in just that artist's medium. For the past two weeks, Dempsey Bob a mask carver from B.C.'s coast has been instructing the students at the institute.

The Boreal Forest Institute of Indigenous Arts uses a model of instruction known as the master-apprentice approach. This is a form of instruction hat matches students with master artists. Master artists lead each course, which entails an extensive two weeks of instruction in just that artist's medium. For the past two weeks, Dempsey Bob a mask carver from B.C.'s coast has been instructing the students at the institute.