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Page 12
On March 31, the National Film Board cancelled funding for its
Aboriginal film making body, Studio One.
Studio One was headquartered in Edmonton, and had been set up to enable
Aboriginal film makers to tell their own stories. It helped train film
makers and funded the production of some films.
Gravdon McRae, Executive Producer for the film board's North West
Centre, explained that the program was cancelled as part of a rethinking
of how the National Film Board could best serve Aboriginal film makers.
"The first few years of Studio One," said McRae, " have provided an
opportunity to evaluate its success in addressing its original goal--to
offer the greatest possible access to the National Film Board by
Aboriginal film makers. This evaluation was conducted by a consultant
over the past winter. Our consultant surveyed Aboriginal people who had
worked with Studio One on their reactions to the experience. This
assessment led us to recognize that the studio had not been as
successful in meeting the needs of First Nations film making across the
country as we's have liked.
"In particular, it is difficult to reach a national group from one
centre. The First nations film community across Canada clearly wanted
Studio One restructured in a way that would be less centralized."
McRae noted that the re-evaluation of Studio One came at the same time
as the entire National Film Board was being recognized. The new system
does away with the studio structure of the NFB and replaces it with a
structure organized around programming rather than geography or
constituency.
"There will be a new decentralized First Peoples' program that very
clearly addresses the concern expressed by Aboriginal film makers in our
review," said McRae. "This program will include a special allocation
for First Nations film makers that will provide ear-marked funds for
their use.
"The National Film Board has several regions across the country, and
each regional centre within the Film Board will submit proposals to a
national program committee. Aboriginal film makers to make films about
and in their own communities when they want. It does not block them
from access to mainstream NFB programs, but it guarantees there will be
designated funds."
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