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Page 13
There is no such thing as a bad singer, according to a member of the
Six Nations Women's Singers.
Seneca singer Sadie Buck of Oshweken, Ont., emphasized this point to
about 25 young people attending a one-day singing workshop on Friday,
May 3,.
The seminar was hosted by the Pitaa Native Dinner Show, a project of
the Red Thunder Native Dance Theatre, based on the Tsuu T'ina Nation
west of Calgary.
"If you are willing to do the job, then you are a singer," Buck told
the group as she pounded on a small water-filled hand drum.
"It's not just a concept of whether you have a pretty voice or can keep
the beat. The whole thing is you sit down and do the job the very best
you can do it."
Commitment--it needs to be 100 per cent whether people sing for their
own pleasure or as performers, she emphasized.
"The first thing is to make the decision you want to do it", she told
Windspeaker.
"Once you say, 'I want do it,' it doesn't matter if you are singing in
the shower or singing in Carnegie Hall."
Beginning May 22, the 28-member Pitaa Native Dinner Show will take to
the stage at the Howard Johnson Hotel on Calgary's south side.
Like Buck, Aroha Crowchild, Pitaa's manager and producer, emphasized it
is a performer's commitment and attitude even more than talent that is
needed.
"As long as you give 100 per cent and give from the heart, things fall
where they are supposed to," she said.
Buck stopped in Calgary for the Pitaa workshop on her way from New York
to Banff, Alta., where she planned to hold a workshop at the Banff
Centre for the Performing Arts.
Last march, the seven-member Six Nations Women's singers released We
Will All Sing, a CD collection of Seneca, Onondaga and Cayuga songs.
The group is also featured on another CD, Heartbeat-- Voices of First
Nations Women, produced by the Smithsonian Festival of American Folklife
program.
Buck's talent has also put her in demand as workshop presenter to
performing groups, women's groups and culturally-oriented groups for the
past 10 years.
"For my people, when you sing...the main thing is you have to make
people want to dance," Buck told the youth. "That is what you are doing
as a singer."
As black boots and sneakers tapped to the beat of the drum, Buck
circled the two rows of singers who repeatedly sang the same sad,
beautiful Iroquois song.
"You are scared of the drum, the rattle and your feet," Buck concluded
after 30 minutes of practice. "You can't be scared of the drum and
feet."
By the end of the morning, however, after more singing, some warm-up
exercises, laughter and a rabbit dance, the young singers were bolder,
louder and more free.
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